Posts Tagged ‘St Paul’

Resurrection and beyond

April 29, 2013

A detailed look at the various passages according to St Paul. A series of post-Easter talks by Canon Robert Cotton of Holy Trinity and St Mary’s.

Week III Paul and four paintings.

For both the Greeks and Jews, resurrection represents a paradigm shift.

For Greeks, death was a one way journey of no return. Not annihilation, a shadowy existence as shades. A few eminent persons, heroes and the like, may have a temporary earthly existence as shades.

For Jews, it was a developing concept. Pharisees had the concept of martyrs, fighting the enemy, a glorious death, to be resurrected to join the final victors. Not so the Sadducees, they were content as the ruling class, and the last thing they wished to see or encourage were martyrs to overthrow the existing order, they dismissed the idea of martyrdom, and victory as a shared experience.

the empty tomb

the empty tomb

An empty tomb. Shock at finding it empty. Where was the body? But to then simply go home!

Greek icon resurrection of the dead

Greek icon resurrection of the dead

A Greek icon. Jesus resurrecting the dead at the end of time.

The Resurrection, Cookham (1924-1927) - Sir Stanley Spencer (1891-1959)

The Resurrection, Cookham (1924-1927) – Sir Stanley Spencer (1891-1959)

As Jesus died on the Cross, the skies turned black, the Temple curtain was torn in two. Or does it signify the end of time? Very Gothic, very Victorian.

The Gospels speak of the Resurrection of Christ, Paul takes this further, the resurrection of everyone.

John Updike, in Seven Stanzas at Easter, asks us to not mock God with metaphor, in other words, accept the harsh reality.

A little girl asked: How does God make people real? Then she answered her own question: First he draws them, then he colours them in.

Sistine Tapestries by Raphael

October 14, 2010
Christ's Charge to Peter

Christ's Charge to Peter

The Sacrifice at Lystra

The Sacrifice at Lystra

The Healing of the Lame Man

The Healing of the Lame Man

Leo X – a pope of pre-eminent virtue and amplitude – was said to have founded after many centuries an age of gold. — Paolo Giovio, 1551

When Pope Benedict XVI visited England last month he came bearing a gift, well at least a loan. He brought with him the Sistine Tapestries by Raphael.

Commissioned almost 500 years ago by the Medici Pope Leo X for the Sistine Chapel and currently on display at the V&A in London, this is the first time the tapestries have been reunited with the original cartoons.

The tapestries are breathtaking. Amazing detail. For example The Miraculous Draft of Fishes shows in the distance a small town and small figures can be seen watching the scene from the shore.

The tapestries and cartoons are an example of High Renaissance Art. Michelangelo did the ceiling, Raphael the tapestries. The tapestries were woven at the workshops of Pieter van Aelst in Brussels, the centre for tapestry weaving in Europe. The tapestries are woven from threads of wool, silk, silver and gold.

The tapestries depicts Acts by St Peter and St Paul.

The Miraculous Draft of Fishes
Christ Charge to Peter
The Sacrifice of Lystra
The Healing of the Lame Man

I have never been to the V&A before. When I was younger I used to visit the other nearby museums, but never the V&A.

I had hoped to visit with my lovely friend Sian, but sadly she is poorly. I have booked two tickets for next week. Hopefully she will be well enough to visit next week.

Also see

Raphael: Cartoons and Tapestries for the Sistine Chapel

Raphael: Cartoons and Tapestries for the Sistine Chapel

The Sistine tapestries

Raphael’s Sistine tapestries: the weavers’ cut

Raphael’s Sistine tapestries at the V&A

Art inspired by God

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