Following the huge success of Somebody That I Used To Know on youtube (which was far, far better than the original), three months later, Mike Dawes released on bandcamp, to date his only release on bandcamp, a single track The Impossible 2.0.
The Impossible 2.0 is a multi-instrumental version of The Impossible, featuring Petteri Sariola and Adam ‘Nolly’ Getgood (Periphery).
The Impossible 2.0 is on offer at pay-what-you-think-it-worth. !0% of which (less bandcamp/paypal deductions) will go to FAB (Food, Aid and Building) project in Kenya.
For future, I would suggest Playing for Change, as then it is music supporting a music charity.
More than a decade ago, Playing For Change was inspired when one man, Roger Ridley, sang familiar words to a popular song: “No matter who you are. No matter where you go in life. At some point, you’re gonna need somebody to stand by you.” For Co-Founder Mark Johnson, that moment ignited a passion to use music to connect people and to create a better world.
Or Music Basti, a music charity based in Delhi helping poor kids.
One of their projects, a joint project with New Music Strategies, was Monkey on the Roof. Street kids in India were pulled in off the street and taught music. They could not believe it when folks came from England and wanted to record them.
How do you measure success? Degrading yourself on X-factor, or having the privilege of helping street kids through Music Basti?
We can now but hope, Mike Dawes releases an album, or at least an EP, of the excellent sound of The Impossible 2.0.
I’ve just been alerted to a Bing re-upload that has more views than youtube. Basically this song has smashed 1 million views in the first week. Absolutely crazy! – Mike Dawes
Mike Dawes recently got overexcited that the hits for Somebody That I Used To Know, his improvisation of a mediocre Gotye number had passed one million hits. I advised caution.
I do not know where he got his numbers from. When I checked, bing a little over half a million, youtube a little under half a million. If he is adding the two together totally meaningless.
That we place value on the number of hits, number of visits, means they have value. That they have value means they have become a currency, like cowrie shells. If a currency then we have to be alert to fraud, counterfeiting and debasing of the currency.
What do we mean by hits, how do we measure?
This blog counts the number of unique visits. That is if you visit once, twice, ten times or a hundred times, you are only counted once.
I get statistics for the number of visits each day, top articles for the week, top articles of the day.
Twitpic on the other hand counts each and every visit. You visist ten times, you will be counted ten times.
Two weeks ago NeverSeconds was at two million hits and I watched it pass three million. The visits on the count were clicking up much faster than one a second. Two weeks later, now over six million visits, the visits are clocking up at a little less than one a second.
At a guess, the count is of individual visits. This is reasonable as something new is posted every day and there would appear to be a large worldwide following reading the blog.
A new posting on twitpic will immediately pick up a few visits. This appears to be robots following key words and hashtags. Again reasonable as at the end of the line these will lead to humans.
For the record these are the hits clocked up by Mike Dawes on youtube sampled every twelve hours (plus or minus a couple of hours) since release of Somebody That I Used To Know on Tuesday of last week (19 June 2012):
early hours Wednesday morning 301 hits
early Wednesday afternoon 5,615
early hours Thursday morning 22,596 hits
early afternoon Thursday 114,579 hits
early hours Friday morning 164,174 hits
early afternoon Friday 255,524 hits
early hours Saturday morning 283,113 hits
early evening Saturday 328,809 hits
early hours Sunday morning 345,219 hits
evening Sunday 380,197 hits
early hours Monday morning 385,177 hits
early afternoon Monday 409,030 hits
early hours Tuesday morning 419,657 hits
Tuesday afternoon 439,208 hits
early hours Wednesday morning 449,339 hits
evening Wednesday 466,526 hits
early hours Thursday morning 487,106 hits
You will see exponential rise until last Thursday. At the weekend it started to level off, but still steady growth.
The very observant may have noticed that the count stuck on 301, then moved forward. There is a reason for this. At 301, youtube introduce checking.
Were Mike Dawes on bandcamp (I find perverse he is not), he would be getting stats on what was happening. Additional benefits, people would be sharing, downloading, gigs can be posted etc. It also provides e-mail address of those who download, very useful for future mail outs.
Had Mike Dawes been on bandcamp and one hundred thousand had paid one dollar each to download Somebody That I Used To Know, that is a cool $100,000 less 15% to bandcamp.
To repeat, it is perverse not to be on bandcamp.
I agree with Steve Lawson when he says it is more important to be on twitter than a record label.
At the weekend Steve Lawson and Andrew Dubber launched a record label, Any And All Records. That weekend alone, over one hundred signings.
Myspace is a waste of space, only be there for legacy reasons. Facebook steals personal data. Spotify follows the facebook model and pays artists a pittance.
An example of clueless use of twitter is the West End Centre, a cultural space in Aldershot. They tweet gibberish. A world music festival in Farnborough, Hampshire Welcomes the World , was very poorly attended because they failed to tweet information about it. And they were one of the organisers!
The number of followers is crude if meaningless measure of twitter. A far better measure is tweetlevel.
Tweetlevel gives a rough idea of twitter influence, but should not be taken too seriously, and certainly do not tweet, never tweet, to effect a metric.
Imogen Heap – @imogenheap – 87.5
Paulo Coelho – @paulocoelho – 86.6
Steve Lawson – @solbasssteve – 82.8
Keith Parkins – @keithpp – 71.2
West End Centre – @teamwesty – 51.7
Never write, perform music to influence a metric. It will simply produce bad writing, bad music.
He is performing with Nick Benjamin’s 100th guitar (Alpine Spruce/Cocobolo).
On iTunes and Amazon, but why not bandcamp where a far better deal and for download far better sound quality? This cries out for FLAC download. [see mp3 v FLAC]
We need an album, or at the very least, an EP.
Steve Lawson has a successful career as a solo bass player. Mike Dawes as solo guitar player?
Released a couple of years ago, Reflections, an EP Mike Dawes and Amy Turk.
Lord Pierre Bensusan’s ‘So Long Michael’ performed by Mike Dawes on Nick Benjamin’s 100th guitar.
This song features on Pierre’s fantastic ‘Intuite’ album and is a tribute to Michael Hedges, one of the most innovative and influential guitar players.
Mike Dawes (one half of Mike Dawes and Amy Turk) performs the fantastic Tony McManus arrangement of ‘Goodbye Pork Pie Hat’, originally composed by Charles Mingus in 1959.
Amy Turk (half of Mike Dawes and Amy Turk) performs Handel’s Harp Concerto (1st Movement), Tchaikovsky’s Swan Lake Cadenza (3:40) and Verdi’s Force of Destiny Overture (5:30) for the 2011 YouTube Symphony Orchestra competition to play at the Sydney Opera House.
According to Mike Dawes this evening, this was the 25th best rated video on YouTube today!
Go through to YouTube and click ‘like’ to make Amy’s dream come true.
Keithpp's Blog 