Archive for the ‘media’ Category

Why is the Mail targeting Naomi Wu?

November 26, 2017

I put up with constant abuse and endless shit, I wake up to DMs and emails full of rape and more rape every day. I’d just like to share my builds and tech stuff without the constant condescending nitpicking. It’s very little to ask why not just show that small measure of respect? — Naomi Wu

Very strange that the Mail appears to be running a smear campaign against Naomi Wu.

Naomi Wu has wisely launched a preemptive strike, as did Charlotte Church when gutter press tried to dig up dirt from her neighbours

But why Naom Wu?

Smear campaigns have been launched against Charlotte Church, Russell Brand, Jeremy Corbyn for having the audacity to attack the tax-dodging oligarchs who own and control the media, even worse for daring to propose an alternative to neoliberalism and a fairer society.

The Budget has estate agents rubbing their hands with glee at abolition of Stamp Duty, which will lead to a hike in house prices in a stagnant housing market, no attempt to deal with tax dodging, tax hand outs to oil companies, the poorest third of society will be poorer, the richest third richer.

The media oligarchs are losing their grip. They smeared Jeremy Corbtyn, nevertheless he manged to win the Labour leadership twice, has turned Labour into the largest social movement in Europe, almost won the last General Election, and has had the government on the defensive ever since.

Where though does Naomi Wu fit into all of this?

Maybe she was confused with Naomi Klein?

We are now postcapitalism.

Do we have a future of low wages, zero hours, part time, temporary, soul destroying McShit Jobs? Deliveroo and Uber are but two examples of serfs working for apps, old fashioned exploitation by any other name.

Or do we have a future of open source, open coops, collaborative commons?

Naomi Wu is an innovator, designer, a passionate and articulate advocate of open source, sino:bit in addition to being a coding project for kids is to introduce at an early age the concept of open source, the first official certified open source hardware project in China.

is this why she is seen as a threat?

Every day Naomi Wu wakes to a torrent of abuse, threats of rape.

The last thing she needs, a smear campaign by the Mail.

It could of course be a journalist collecting background, prior to writing an article on the work of Naomi Wu, two side panels, one highlighting the abuse she receives, the other on how to deal with on-line abuse and cyber bullying. Plus a supplement on projects people can build.

But until that happens, until we start to see quality journalism, retailers will continue to pull their advertising from the Mail, Paperchase being but the latest to do so.

Media has a vital role to play, challenging corruption, informing democracy, and holding government to account. But less and less does it play that role, it acts as a megaphone for the corrupt, smears anyone who does expose corruption. 

To be a journalist is a dangerous profession, we see that with the number of journalists put in prison, killed. 

Journalists are put in danger when Donald Trump attacks the media. 

But we need to question when vile trolls like Katie Hopkins are granted a media platform, as the hate they espouse then becomes the norm, by granting her the oxygen of publicity all attention seeking trolls crave, it acts to normalise and encourage their behaviour.
 

Advertisements

Mastodon Social

April 6, 2017

Mastodon.social has opened as an open source open platform rival to to twitter.

Rather than gripe at the frustrating changes to twitter, which seemed to be designed to alienate users, Eugen Rochko has established an open source alternative, Mastodon.social.

I brought all my friends to Twitter back in the day. I kept promoting it to everybody I knew. I really loved the service. But it continuously made decisions that I didn’t like. So in the end I decided that maybe Twitter itself is not the way to go forward.

And it is growing like crazy.

To fund he has set up an account on Patreon, and so far, crowdfunding is keeping pace with the growth.

Mastodon Social is only one instance or node, there are many, with Mastodon coordinating.

The latest change on twitter is to remove who you are replying to from your tweet. Yes, this may save a few characters, but you may not wish to reply to everyone.

Mastodon has 150 characters as opposed to 140 characters of twitter.

Payment may also be made via bitcoin, but I would be much happier to see

faircoin and fairpay card used.

  • BTC address: 17j2g7vpgHhLuXhN4bueZFCvdxxieyRVWd

Personally I do not have too much of a problem with twitter, apart from the niggling irritating changes they keep making. I do have a problem with facebook and Medium, especially since the enclosure of the Medium commons.

The main site, or instance or node, appears not to be working.

I tried two more, same problem.

It was recommended I try

It worked, I am registered.

Octodon Social established by Alice Voidstar is also supported through Patreon and can pay via bitcoin, but again I would prefer to see faircoin and fairpay card.

  • BTC address: 1F3TeADq25W471a1G5W5gJJ1BWbQYn6Di5

But what is my account, how do I tell people, how do I communicate with others?

The main interface is an unbelievable pig’s ear.

Has nothing been learnt from twitter?

This needs to be greatly simplified, otherwise it will never take off.

I may of course be wrong. I find it kludgy, others like it for the greater control.

Maybe I will get used to it.

It would appear my account

or

Does this then replicate across the other instances?

For example

Apparently not.

I tried my first tweet.

https://octodon.social/@keithpp/98352

Which wordpress fails to display, though Medium does.

One criticism, if post a link, does not display the link and image.

Yes, can click on details, but would be better to display, as anyone who sees, can see at a glance, worth further attention.

If message posted on one node, I assume propagates through the network.
What if node where registered is down? How does one send massages, access messages?

Does this imply have to be registered on multiple nodes, but then would not have multiple IDs?

I found, registered on one node, did not grant me access to another node.

Messages will propagate through the system, if node has set preference to be federated, otherwise will act as an isolated island.

Yes, good idea a coop, but I understand the reservations if enacted by p2p as not p2p.

Therefore this is what I propose.

Barcelona and Catalonia have a well established cooperative infrastructure, therefore, if Enric Duran Giralt agrees, I suggest they set up a cooperate node.

  • Catalonia #Mastodon #platformcoop #instance
  • fair coin and fair card

Once up and running, citizen-controlled Town Halls such as Madrid also establish a coop.

This would serve for all their messaging, plus part of the wider network.

In Athens and Heriklion they have established autonomous markets, have coop structure, use faircoins and fairpay card. Establish coops for their own comms, plus available to the wider network.

DiEM25 establish a coop for their comms and part of the wider network.

Enric Duran, has also suggested FairCoop members have servers, which is a great idea, as could then also serve as their comms network and form part of the wider network.

I have asked that Enric circulate these ideas.

This fits with my ideas of networks within networks, one network forms the node of the next network.

It also challenges rigid hierarchies, be they EU, Big Government or Big Business, and provides alternatives.

Next we need an open source alternative for Medium.

Ev Williams, backed by Vulture Capitalists, has decided to enclose the commons.

Medium may not have been designed  as a commons, but it is functioning as a de facto commons.

Now, without any consultation with the commoners, the writers and readers, Ev Williams decided to charge for access.

In doing so, he has alienated many of the commoners.

It would appear Ev Williams would rather act for the Vulture Capitalists than the commoners.

Many of the commoners have expressed a desire for an alternative to Medium, Mastodon.social would appear to point in the right the direction of travel.

Telling the truth is a revolutionary act

January 22, 2017

In an age of universal deceit, telling the truth is a revolutionary act. — George Orwell

The Party told you to reject all evidence with your eyes and ears. It was their final, most essential command. — George Orwell, Nineteen Eighty-Four

The point is that the attacks and the attempts to delegitimize this president in one day — and we’re not going to sit around and take it.  – Reince Priebus, White House Chief of Staff

The method for taking over the state and for it becoming a totalitarian police state, is always the same, and it’s always the identification of ‘the other’ as the enemy. In Trump’s case, it’s the Chinese, the Mexicans, and Islam – it doesn’t matter who it is. With Hitler, it was the Jews, the Communists, the Gypsies, anybody who had a physical deformity, or whatever it might be, the homosexuals – they were all lumped together. — Roger Waters

The resistance begins today. — Roger Waters

In Nineteen Eighty-Four, war is peace.

On Inauguration Day, the crowds in Washington were far fewer than for the Inauguration of Barack Obama. The anti-Trump protest, Women’s March, the next day, dwarfed that for the Trump Inauguration.

Estimates of the Women’s March put it at three times for the Trump Inauguration.  The Metro reported it carried three times as many passengers on Saturday as on Friday.

In cities across America, massive anti-Trump demonstrations.  No only in USA, across the world. There was a massive demonstration in Sydney.

But no, according to Trump the media was lying.

If Trump lies on the size of a  crowd, can we believe him on anything he says?

His White House press mouthpiece repeated the lie.  Repeated the lie and launched an unprecedented attack on the media.

When White House chief of staff threatens the media, says will not tolerate media questioning  legitimacy of the Trump presidency, this has shades of Nazi Germany.

What is he going to do, lockup up journalists as they do in Turkey, kill journalists as in  Russia?

In Mexico they have a phrase for Trump, Trump Eres Un Pendejo, Trump, you’re an arsehole.

Bailgate Independent

January 17, 2017

I picked up a copy of Bailgate Independent in Stokes.

A glossy magazine, primarily advertising, crammed with advertising and a handful of articles not worth reading.

I am surprised Stokes stock it.

I left my copy in the Park Street Eatery. Maybe someone will appreciate it.

A tragic waste of trees.

I contrast with the excellent Viva Brighton. Brighton has creative talent, maybe Lincoln does not.

Do Not Buy The Sun

October 20, 2016
John McDonnell Do Not Buy The Sun

John McDonnell Do Not Buy The Sun

Brilliant comment by John McDonnell.

The Sun is not a newspaper, it is a vile rag.

It does not employ journalists, it employs hacks.

It is part of the Evil Murdoch Empire.

In the past The Sun has smeared Charlotte Church and Russell Brand.

Recently The Sun launched an attack on Paul Mason, who unlike the low life scum who wallow in the gutter at The Sun is a reputable journalist.

If you read The Sun, it is like raising a flag you are a complete moron.

Take direct action against The Sun. When you see it in the bins at a  supermarket or W H Smith, turn the top copies back to front and upside down, then pile other papers on top.

 

 

13 Shades of Romanian

January 19, 2016

Life of Romanians living in England.

filming

filming at pre-production party

13 shades of Romanian, excellent, well produced documentary of thirteen Romanians living in England.

My main criticism, is how skewed a representation of Romanians in England?

The Romanians featured appeared to be the educated, intelligent, cultural elite. All spoke excellent English, better than 90% of the native population.

For the first two, can watch for £1 each, which is reasonable. Get to the third, and they want £3 to watch all three, and restricted to 72 hours.

I would expect unlimited streaming for £3. I would expect to be able to buy on DVD for £3.

I would have chopped the footballer in Part III, found a more interesting Romanian, for example talented singer-songwriter Jewelia.

13 Shades of Romanian was funded through crowdfunding.

Demand The Sun prints prominent front page apology for Corbyn smear

December 22, 2015
The Sun Corbyn apology

The Sun Corbyn apology

The phone hacking scandal and the inquiry that followed, showed the gutter occupied by the scum who work for The Sun.

But what has since changed?

The evil Murdoch Empire still exists, the attacks on Russell Brand, Charlotte Church, Jeremy Corbyn have been relentless.

We have a toothless regulator, IPSO.

The Sun have been running a smear campaign against Jeremy Corbyn. IPSO has forced an apology. This should be, same size typeface, in prominent page where the the original story ran.

The Sun has printed in tiny typeface, bottom left-hand corner of the front page of The Sun. Blink, and you will miss it, assuming you would even wish to waste something as valuable as a blink of an eye on rubbish like The Sun.

Please sign the petition demanding IPSO enforces a full apology printed on the front page of The Sun.

Please also lodge a formal complaint with IPSO.

Take direct action on The Sun, turn the paper upside down, back to front, then pile other papers on top. That will kills sales of The Sun for the day.

Imogen Heap releases Tiny Human using blockchain technology

November 28, 2015

Singer-songwriter and multi-instrumentalist Imogen Heap is a rare example of someone in the music industry who knows what she is about. As does cellist Zoe Keating.

A music event, with a little music.

Imogen Heap used the event to release Tiny Human into the wild with the help of Mycelia, a blockchain for tracking and cataloguing music.

This one action, release of Tiny Human, could change the face of the music industry, and at a  stroke, eliminate the middle men who for years have been  parasites on artists and music lovers.

Imogen Heap:

I thought, wouldn’t it be nice if I could decide what I wanted to do with my music?. I might decide, today’s my birthday, I’m going to give all of my music to everyone for free today. At the moment, I can’t do that. Because it’s out there, and once it’s out there, I don’t really have a say in it any more.

Zoe Keating:

I can imagine a ledger of all that information and an ecosystem of killer apps to visualize usage and relationships. I can imagine a music exchange where the real value of a song could be calculated on the fly. I can imagine instant, frictionless micropayments and the ability to pay collaborators and investors in future earnings without it being an accounting nightmare.

Imogen Heap:

It feels as if the music industry is a complete mess, a rusty, overstretched, tired machine. Grappling with a lot of old crooked contracts that don’t reflect our times, music services that run on greed to please shareholders smothered in buy-buy-buy adverts, dated accounting setups favouring anyone but the artist thanks to gross inefficiencies, confusing royalty statements and delayed payments… plus patchy copyright databases. It is almost impossible to find out who REALLY gets what.

Artists create the music, but if signed to a record label, have very little control.

We hear all the time of artists being owed millions.  The latest Sly Stone, living in a van.

Bandcamp enables artists to put their music out there. Fans can decide if they like it or not, if they do, they can download, choose to pay the artists some money. The artists also get the data.

Zoe Keating distributes her music on bandcamp, for example her album Into The Trees.

Zoe Keating is unusual in that she publishes her earnings on-line for all to see. Contrary to the rubbish we hear from the major record labels, piracy and sharing is not a problem, it is services like spotify that are screwing everyone.

I initially published my digital music earnings because the dominant story in the press on artist earnings did not reflect my reality, nor that of musical friends I talked to. None of us were concerned about file sharing/piracy, we seemed to sell plenty of music directly to listeners via pay-what-you-want services while at the same time earn very little from streaming.

On bandcamp, music is offered at a low price, or pay-what-you-think-it-is-worth. Far from seeing this as an opportunity to rip artists off, fans will often pay more than the asking price.

Interesting comment from cellist Zoe Keating on the number of times her music appears (unauthorised) in youtube videos.

… other than hit songs, it is near impossible to know what the real popularity of a piece of music is. Nielsen recognized this and added streams to SoundScan rankings, but the internet is far more interesting than that.

What about popularity by “use?” To use myself as an example again, there are to date 15,000 videos on YouTube with my music in them, none of them by me. The videos are other people’s unlicensed dance performances, commercial films, TV shows, student films, experimental films, art projects, soundtracks to gaming session, etc. But currently there is no way to leverage that kind of enthusiasm. Only YouTube knows how popular my music is for unauthorized soundtracks.

With blockchain and Mycelia there would be a means to track, and to pay for that use.

There is a need for change, for the simple reason as Imogen Heaps says, the record businesses was founded on unscrupulous practices, screwing the artist, greed writ large.

It’s time to turn the music industry on its feet. I say that, as it’s always been topsy-turvy. The record industry built its foundation upon the blues and jazz of predominantly African American artists, who were not given the best deals for anything at the time… never mind record deals! Their pockets were the last thing on the deal makers minds. Lawyers and accountants made the decisions, and built contracts entirely around bringing in the big guns the most amount of money and the artists the least; if, indeed, any at all. These founding artists were given a shockingly bad deal, and ever since artists have been struggling to have their voice heard.

Combined with this, the industry wasn’t birthed in our digital age where online databases and flow of information are the norm. It’s adopted technology in various forms along the way, that invariably didn’t fit with what came before, and as a result, it’s become more and more fragmented and ultimately gotten itself into a right tangle.

Now it feels as if the music industry is a complete mess, a rusty, overstretched, tired machine. Grappling with a lot of old crooked contracts that don’t reflect our times, music services that run on greed to please shareholders smothered in buy-buy-buy adverts, dated accounting setups favouring anyone but the artist thanks to gross inefficiencies, confusing royalty statements and delayed payments (if any at all), coupled with the music itself not always being tagged effectively, and thus leading to mistakes… plus patchy copyright databases. It is almost impossible to find out who REALLY gets what. I’ve lost sleep in the past, scratching my head over the small print, with an icky feeling maybe I was selling my soul to do what I love. And, at the end of it all, more times than not, we are listening to seriously degraded quality sound files, on tinny speakers or trendy hyped up headphones lacking quality sound. Artists and music, deserve better.

Mycelia and blockchain offer the opportunity for change.

Who owns Mycelia? This is critical. It cannot be a high tech death star. It has to be an open common, to which we can all contribute, all draw from, part of the sharing economy.

Who owns the top level domain domain name .music? At the moment Amazon and Google are in the bidding. They should not be allowed to control .music, it should be in the global commons, there for artists and music lovers.

Distribution of artistic material, payments, gaining information, is not simply knowing where the material has ended up and obtaining due payment, it may even be as fundamental as deciding will it be released. Artists too often find material they would not wish to see released, is released, or conversely, material they wish to see released is not released.

Nina Paley upon thsi problem when she reelased Sita Sings the Blues.

Depressing, health care companies monitoring us, what we are listening to. Big Brother writ large and a serious infringement of privacy.

This is what was discussed at Europe is Kaput last week. If we are being monitored, are aware we are being monitored, does it change our behaviour, is this the world in which we wish to live? This is a world controlled by death star apps. But illustrates information can be used for good or bad. Artists want transparency, see where their music is going, but we do not wish to create a society in which our every thought, movement, action, is monitored, logged, manipulated by death stars.

This article could be added to the block chain for Tiny Human.

Can Bitcoin and the blockchain help independent artists make a living?
Bitcoin and the Arts: An Interview with Artist and Composer, Zoe Keating
Why use spotify when there are far better alternatives?
The Cryptocurrency-Based Projects That Would Pay Everyone Just for Being Alive
Bitcoin Can’t Save The Music Industry Because The Music Industry Will Resist Transparency
The Bitcoin Blockchain Just Might Save The Music Industry…If Only We Could Understand It
Imogen Heap’s Mycelia: An Artists’ Approach for a Fair Trade Music Business, Inspired by Blockchain

John McDonnell: the Media are trying to destroy us

November 22, 2015

I for one, was very impressed by John McDonnell yesterday afternoon at Beyond Austerity at Methodist Central Hall Westminster. It is unfortunate the entire meeting was not dedicated to a discussion between former Greek finance minister Yanis Varoufakis and John McDonnell, as it would have been a far more informative and productive meeting.

We had excellent analysis, and intelligent proposals.

A breath of fresh air compared with Ed Balls or Alistair Darling.

Maybe that is why both he and Yanis Varoufakis are  being attacked in the mainstream media, to drown out what they are  saying.

Mass media has become rabid propaganda channels for the 1%, spewing a daily drip, drip, drip feed of misinformation, lies, smears and hate.

We must form our own communication channels. The media must be broken up. We cannot have people like Murdoch, Lord Rothermere, Barclay Brothers owning large chunks of the media.

Media channels that give an alternative view and help nail many of the lies.

I don’t read The Sun for the same reason I don’t eat from the toilet

November 15, 2015
I don't read The Sun for the same reason I don't eat from the toilet

I don’t read The Sun for the same reason I don’t eat from the toilet

I do not as a rule watch BBC Question Time, I find it to be a pale imitation of BBC Radio 4 Any Questions. Last Thursday would have been worth watching to see a member of the audience slam the managing editor of The Sun. The reason, the vile coverage of Jeremy Corbyn at The Cenotaph last Sunday during Remembrance Sunday.

Rupert Murdoch, never one to not stoop low, it was a new low for The Sun.

Could Murdoch stoop any lower? As the world is reeling from the ISIS atrocities in Paris, Sky refers to Jeremy Corbyn as Jihadi Jez.

Patriotism of Murdoch (The Sun), Lord Rothermere (Daily Mail) Barclay Brothers (The Telegraph), all avoid paying UK tax.

The Sun lied about Hillsborough, hacked phones of dead soldiers.