Posts Tagged ‘sharing’

Steve Lawson on books, music, communication and sharing

April 22, 2012

A somewhat rambling and poorly recorded talk, nevertheless well worth watching and listening to what Steve Lawson has to say.

A book is a book. A Kindle is not a book.

We can share a book, we cannot share a Kindle, we even have difficulty (or at least it is made difficult) to share the contents of a Kindle.

- Nothing is as good at being a book as a book is

We like to share books. We give them away, we lend them to friends, we donate them to charity shops.

Monday 23 April 2012 is St George’s Day. Monday night is World Book Night. A million books, 25 titles, are to be given away.

We take book sharing as part of our book reading culture. We even established institutions to encouraging book sharing enacted legislation, they are called libraries.

If book sharing is an accepted part of our cultural life, why is such a fuss made of music sharing, or at least a fuss is made by corporate music companies and the lobbyists who whore for them?

Last Friday I was at a concert by The Sixteen at Croydon Minster. I would love to be able to share the music I heard, but I cannot, as The Sixteen have not made it available for sharing. It is not as though The Sixteen do not wish to share their music, that is why they are embarking on a Choral Pilgrimage, but not everyone has the privilege to attend one of the cathedrals where they are playing.

- The Sixteen – Croydon Minster – Choral Pilgrimage 2012

That is why I love bandcamp. It makes sharing easy, it makes it possible to listen on-line, and if you wish to buy some music you can do so with the assurance that the money you pay goes straight into the pocket of the musicians, not to enrich a greedy global corporation.

It is through bandcamp that I came across two excellent albums 11 Reasons Why 3 is Greater than Everything and Believe in Peace by Steve Lawson. I then found he had an excellent blog. It is through Steve Lawson I came across Lobelia and her excellent album Beautifully Undone.

I have had a presence on the web for well over a decade. A long time ago. At the time I did not even have an e-mail address. There were few of us there in those days.

It is a long time since I looked at the site, but visitors to the site were averaging around 300 a week. Only visits to index pages are being counted, not to individual pages, thus the real count could be ten times, a hundreds time, maybe more.

For the last few years I have had a blog and been on twitter.

Visits to the blog, and these are unique visits (you are only counted once no matter how many times you visit), were running at 100-200 a day. That was before I visited Bassano del Grappa last month, since then it has been running at 200-300 a month. There are also periodic spikes, the count then slowly drops over the next few days, settling at a usually higher level than before.

The story of the Japanese girl whose dream came true hit over a thousand in a few days.

- A Japanese girl’s dream come true

Last week St Cuthbert’s Bible proved very popular. So far almost a thousand visits.

Few people make effective use of social networking which is why the good examples stand out.

Social networking is not broadcast.

  • broadcast one to many
  • network many to many
  • social interaction

And therein lies the clue, interaction.

The number of followers is a very crude measure, and the measure it is logarithmic not linear. That is if the number goes up ten fold, the measure goes up by one point. Steve Lawson has roughly double the number of followers of The Sixteen, thus one point ahead.

Do people respond to what you tweet, do they re-tweet?

If you read something worth reading, then do the courtesy of tweeting to your followers. Maybe one day they will return the courtesy (though most lack etiquette to do so).

Tweetlevel gives a rough idea of twitter influence, but should not be taken too seriously, and certainly do not tweet, never tweet, to effect a metric.

Different sites should link to and interact with each other.

Tweet a link for the article on a blog. Facebook is a walled garden, construct tunnels through the wall. If you have an album of photos of the latest gig, a link to where you wrote about it on your blog, links from individual photos to twitpic, a link from twitter to the album.

I came across this video of Steve Lawson giving a talk via a link on twitter.

Comments are responded to, unless diatribe, then deleted. But NEVER respond to trolls. Ignore, and block as spam.

Search on google

  • Montegrappa The Alchemist

and note occupancy of most of the Top Ten places.

MySpace, I am at a loss why anyone is on MySpace, except as a legacy from days gone by. Masochistic behaviour to put music on MySpace but not on bandcamp. I can only assume you want no one to listen to it.

Writers write to be read, musicians play to be heard.

Unless we share, how do we find new books, new music?

The big global corporations are collapsing because they are not needed any more. The only people who do not seem to have woken up to this are the mainstream media who keep running the same old tired stories about piracy destroying the music business, as though stuck in a groove on an old 78. Maybe the music industry is being destroyed, and good riddance if it is, but it is not piracy, it is merely kicking down a rotten edifice, the industry is self-imploding and the music industry should not be confused with music, music is doing just fine. Oh did I forget to mention that the main-stream media is owned lock stock and barrel by the same media conglomerates who own the big record labels.

Music does not exist to enrich mega-corporations. These mega-corporations could collapse tomorrow, as could the chain record stores like HMV, and it would have no effect on music. In fact, if there was an effect, it would be to plough money back into music.

Steve Lawson @solobasssteve is a solo bass player, he also writes an excellent blog.

Tim Berners-Lee: Don’t let record labels upset web openness

April 19, 2012
Tim Berners-Lee

Tim Berners-Lee

We mustn’t allow record companies’ fear that their business model isn’t working to upset the openness of the internet, Tim Berners-Lee told Wired.co.uk in a press conference at W3C.

The inventor of the web was referring to recent controversial pieces of legislation, including Sopa and Pipa in the US, and Acta globally, which have all sought to clamp down on piracy and have all been strongly supported by record labels.

“Record labels have a very strong voice when it comes to arguing for their particular business model, which is in fact out of date,” he said. “The result is that laws have been created which make out as if the only problem on the internet is teenagers stealing music. The world is bigger than that. The internet is bigger than the music industry. The economic impact of the internet is bigger than the music industry.”

He said that most of the things that are taking place on the internet are social, and downloading and listening to music is just a small part of that. He said that record companies and other organisations seeking these pieces of legislation shouldn’t be allowed to “take away the rule that you should only punish someone after appropriate court proceedings.”

Berners-Lee supports any platform that allows people to pay for music online and said that there should be more ways of “getting money back to the person who creates” content, including paying for music and donating to blogs. However, he said that “this doesn’t necessarily need to be a system created by the big record labels”.

– Olivia Solon

Tim Berners-Lee, inventor of the World Wide Web, talking to Wired.

The major record labels are greedy bullying thugs who are trying to destroy the internet and criminalise sharing.

Tim Berners-Lee wishes to see the means of “getting money back to the person who creates” content. It already exists: Bandcamp connects creative artists directly with those who love music, makes it easy to share, easy to listen, easy to download, and if you wish to pay, easy to pay and the money goes direct to the creative artist, not to a greedy global corporation.

- Web freedom faces greatest threat ever
- Sharing of data between facebook and third parties
- The cultural industry
- Slow music
- Community supported music
- Why I’ve Taken My Music Off Spotify…
- A Little “Buy Music With Bandcamp” Primer…
- Tweet-Rant #2 : 23 Tweets About Bandcamp
- Paulo Coelho featured on FrostWire
- Piracy is the new airwaves

Copyright Mafia boss rails against democracy

February 9, 2012

It’s hard to type while laughing. Reading the head of the RIAA complaining about what he claims are abuses of power tends to induce uncontrollable fits of irony. – Lauren Weinstein

RIAA represents the music industry in the US. Think of it as an association of mafia bosses.

Sopa and Pipa was cooked up behind closed doors. It would have led to unprecedented control of the internet. Once people found out, they sent the phones of politicians into meltdown and Sopa and Pipa were killed stone dead.

- The cultural industry
- Documented@Davos: SOPA Panel
- Defend our freedom to share (or why SOPA is a bad idea)
- Thoughts of Paulo Coelho on Sopa
- Stop SOPA

But, if we are to heed the head of RIAA, this was an abuse of the democratic process, bordering on demagoguery! That people lobbied raises questions about democracy in a digital age!

THE digital tsunami that swept over the Capitol last month, forcing Congress to set aside legislation to combat the online piracy of American music, movies, books and other creative works, raised questions about how the democratic process functions in the digital age.

While no legislation is perfect, the Protect Intellectual Property Act (or PIPA) was carefully devised, with nearly unanimous bipartisan support in the Senate, and its House counterpart, the Stop Online Piracy Act (or SOPA), was based on existing statutes and Supreme Court precedents. But at the 11th hour, a flood of e-mails and phone calls to Congress stopped the legislation in its tracks. Was this the result of democracy, or demagoguery?

The hyperbolic mistruths, presented on the home pages of some of the world’s most popular Web sites, amounted to an abuse of trust and a misuse of power. When Wikipedia and Google purport to be neutral sources of information, but then exploit their stature to present information that is not only not neutral but affirmatively incomplete and misleading, they are duping their users into accepting as truth what are merely self-serving political declarations.

Apparently this demagoguery was the result of dirty tricks by the likes of Wikipedia and Google whipping up hysteria against the music industry.

He goes on to repeat the same old crap peddled by the music industry, dealing in stolen goods, counterfeiting, lost jobs.

- What Wikipedia Won’t Tell You

What the boss of RIAA is demonstrating is arrogant contempt for democracy, arrogant contempt for those who may purchase the products of the companies he represents.

Yes there are lost jobs, that is because the music industry is doing its best to destroy the industry. You do not win friends and influence people by criminalising the very folk who use wish to buy your products.

Police closing down a store selling stolen goods is not the same as shutting down a file sharing service!

He claims that old style media did not engage in the battle, because they know the difference between news and views. Obviously he has never watched or heard of Fox News, somehow missed the views of Murdoch, the man who has been repeatedly accused in the UK of heading up a criminal empire.

Apparently we are all ignorant morons who did not know what we were opposing.

We obviously do not understand how democracy works. It is cosy little vested interests (in this case Big Vested Interests) drawing up legislation behind closed doors with politicians in their pocket.

Home Taping is Killing Music

Home Taping is Killing Music

In the 1980s we had Home Taping is Killing Music.

The response of Malcolm McLaren was to release a blank cassette with instructions: record your own music.

In 2005, several hundred colleges were served writs for hosting file sharing servers.

- Music Industry Sues Hundreds Of File Sharers At Colleges

There is not a piracy problem. No matter how often the industry repeats the lie it does not make it any more true. Did they all attend the Joseph Goebbels School of Public Relations?

File sharing, no matter how often it is claimed to be, is not theft!

Music sites like bandcamp encourage sharing. It is through sharing, we hear of new music.

Would I have heard of To Leave A Mark or Little Measurements both by Les Étoiles or The Traveler and The King by Stadtmusikantin und Sterntaler (now: Traveler’s Diary) or The Acoustic EP by Grace Mitchell were it not for sites like bandcamp or FrostClick? The simple answer is no. Would others, if I did not share? The answer again is no, or at best highly unlikely.

I like to share music. If that makes me a pirate, then I am proud to be a pirate.

Paulo Coelho, Neil Young, Neil Gaiman, and many others, all recognise the value of sharing. Neil Young calls piracy the new radio, as that’s how music gets around.

- Piracy is the new airwaves

Paulo Coelho likes to share. That is why he writes. He recently uploaded The Way of the Bow to FrostWire, free for anyone to download.

- Paulo Coelho featured on FrostWire

Before I found bandcamp, I would have to copy a CD or maybe rip a track or two. But now, all I have to do is link to bandcamp. Only bandcamp make it even easier than that.

I cannot repeat often enough the words of Andrew Dubber (see Hear / Like / Buy):

Music is pretty much unique when it comes to media consumption. You don’t buy a movie ticket because you liked the film so much, and while you might buy a book because you enjoyed reading it so much at the library, typically you’ll purchase first, then consume … But music is different — and radio proves that. By far the most reliable way to promote music is to have people hear it. Repeatedly, if possible — and for free. After a while, if you’re lucky, people get to know and love the music. Sooner or later, they’re going to want to own it…whether it’s a pop tune, a heavily political punk album, or an experimental, avant-garde suite — the key is very simple: people have to hear music, then they will grow to like it, and then finally, if you’re lucky, they will engage in an economic relationship in order to consume (not just buy and listen to) that music. That’s the order it has to happen in. It can’t happen in any other order. There’s no point in hoping that people will buy the music, then hear it, then like it. They just won’t. Nobody really wants to buy a piece of music they don’t know — let alone one they haven’t heard. Especially if it’s by someone who lies outside their usual frame of reference. And a 30-second sample is a waste of your time and bandwidth. It’s worse than useless. That’s not enough to get to like your music. Let them hear it, keep it, live with it. And then bring them back as a fan.

But the music industry and Hollywood, very often the same global corporations, do not like sharing, they wish to criminalise sharing. The tried with Sopa, cooked up in back room deals with corrupt politicians on the take and failed miserably. They are trying again with Acta, an international treaty that will criminalise sharing, would disconnect from the net those who share. We killed Sopa and we must kill Acta.

We have stopped Sopa and Pipa, but there is worse to come, Acta. Acta is an international treaty to control the internet. Cooked up in secret behind closed doors with corporate interests. National governments and parliaments are being bounced into ratifying Acta. Acta seeks via an international treaty what Sopa sought through national legislation.

- Say NO to ACTA

Top Story in Piracy Daily (Friday 10 February 2012).

Bandcamp

February 8, 2012

A few months ago, we began tracking the starting point of every sale that happens on Bandcamp. In the course of looking at the data (which we’re using to help us plan out what to do next), we’ve noticed something awesome: every day, fans are buying music that they specifically set out to get for free. — Bandcamp

I’ve said before that people hear music, then they like music, then they buy music. It’s important to realise that you need to go a step further than just allowing that to happen. You have to remove all the friction in between. — Andrew Dubber

It takes a lot to impress me. To say I was impressed by bandcamp would be an understatement.

I first came across bandcamp through Shadowboxer, who I came across through Stewart Warwick. Both have albums on bandcamp.

I came across Stewart Warwick a few years ago when down in Brighton I picked up the excellent Unlimited Art by Jacob’s Stories from Resident Records, having heard in Brighton Books. This led to Mechanical Bride and a couple of years ago The Ordeal by Stewart Warwick.

Through Stewart Warwick I came across the Surrey University live sessions and studio sessions by Shadowboxer.

- Shadowboxer – Chase and Status – Time
- Shadowboxer – Scott Matthews – Elusive

Bandcamp is the place to listen to, download and buy music.

Each creative artist has a page. On what is effectively their home page you will find their albums, notes about the artist, lyrics, links to other sites etc.

I like to share music. If that makes me a pirate, then I am proud to be a pirate.

Before I found bandcamp, I would have to copy a CD or maybe rip a track or two. But now, all I have to do is link to bandcamp. Only bandcamp make it even easier than that.

Click on share. You can then tweet, post onto your own or a friend’s facebook wall an entire album, copy the embed code and embed the album onto your blog.

With bandcamp you have a virtual on-line music collection.

Where else can you download an album for $1, an album not a track? Where else can you download an album for free? Well yes, ok there is FrostWire and sites like Pirate Bay.

Paulo Coelho has recently made The Way of the Bow available for free download on FrostWire.

- Paulo Coelho featured on FrostWire

Often a minimum price is suggested, which could start at zero. The strange thing is, people often pay more, on average 50% more, than the minimum.

- Cheaper than Free

When you download an album you have high quality audio, not the low quality, lossy compression highly compressed mp3 files which are the norm elsewhere. [see mp3 v FLAC]

Yes you can still download mp3 but it is mp3 320, or you can choose a lossless mp3. Even when you listen on-line your are listening to mp3 128.

You are not though restricted to mp3. You can choose FLAC (large file size). To play FLAC you will need VLC Media Player, as will not play in the bog standard Windows Media Player.

And why would anyone wish to listen to lofi when hifi is available?

I found you need the mp3 and FLAC download (yes, you can download both) as with the mp3 you get the lyrics. I assume they are there with FLAC but at the moment not showing with VLC Media Player (could be I need to change the settings).

Albums outsell tracks 5 to 1. The industry norm is tracks outsell albums 16 to 1.

Through featured albums on the bandcamp blog I have come across music and artists I have never heard of before. For example Where are the Arms by Gabriel Kahane and Les Sessions Cubaines by Philémon Chante recorded at the famous Studio Egrem in Havana, Cuba.

Bandcamp connects the creative artist with those who wish to enjoy what they create. It bypasses the greedy music industry. The money you pay for a download, or a real album that (hopefully) arrives in the post, goes straight into the pocket of the creative artist (with a small cut going to bandcamp).

I am amazed at the money that is flowing through bandcamp straight into the pockets of the creative artists. To date, artists have made $13,971,838 using Bandcamp, and $1,042,618 in the past 30 days.

Bandcamp is a virtual company, it exits, but exists on the net.

- How We Work, Selling Right Now

Sharing

February 7, 2012

We like to share. We are social creatures. It is part of the human condition. It is what makes us who we are.

When we read a book it is because someone has given, lent or recommended it to us. If were are very lucky we may have met the author.

When I go away I like to take books with me to read. I then give them away.

In hotels we often find books others have left behind.

My introduction to Paulo Coelho was an attractive Lithuanian girl sat by a river reading The Zahir.

- Synchronicity and Paulo Coelho

Paulo Coelho likes to share. That is why he writes.

He recently uploaded The Way of the Bow to FrostWire, free for anyone to download.

- Paulo Coelho featured on FrostWire

These are the download statistics for the last few days (from FrostClick):

Sunday (2321 GMT), 7,020 downloads, downloading 24, sharing 974

Monday (1835 GMT) 11,713 downloads, downloading 17, sharing 910

Tuesday (1829 GMT) 12,409 downloads, downloading 22, sharing 1,057

Paulo Coelho only sold a few thousand copies of The Alchemist in Russia, until a pirate copy appeared on the net.

In 1999, when I was first published in Russia ( with a print- run of 3,000), the country was suffering a severe paper shortage. By chance, I discovered a ‘ pirate’ edition of The Alchemist and posted it on my web page.

A year later, when the crisis was resolved, I sold 10,000 copies of the print edition. By 2002, I had sold a million copies in Russia, and I have now sold 12 million.

When I traveled across Russia by train, I met several people who told me that they had first discovered my work through the ‘ pirated’ edition I posted on my website. Nowadays, I run a ‘Pirate Coelho’ website, giving links to any books of mine that are available on file- sharing sites. And my sales continue to grow — nearly 140 million copies world wide.

Paulo Coelho is banned in Iran. His response, to make available free downloads in Farsi.

- Aleph in Farsi

Frankenstein by Mary Shelley arose from a late night story telling on the shores of Lake Geneva.

We cannot like a piece of music until we have heard it.

I am happy to share music with others. If that makes me a pirate, then I am proud to be a pirate.

When I saw The Sixteen in concert in Guildford Cathedral last October, I asked was they on youtube? Officially no, but yes, you will find us there. I asked in order that I may share.

- The Sixteen – Miserere Mei Deus – Allegri
- St James Cathedral – Victoria – The Sixteen

A couple of years ago I was in Brighton and found Brighton Books open (not usually open on a Sunday). I asked of the music they were playing. Unlimited Art by Jacob’s Stories. I was pointed in the direction of Resident Records from where I could obtain a copy.

I gave copies to friends, I went back and bought a few more copies to give away.

Jacob’s Stories led to Mechanical Bride and Stewart Warwick. Stewart Warwick led to Shadowboxer. Shadowboxer led to BandCamp. BandCamp led to their blog, and the blog led to Gabriel Kahane through featured album of the week Where are the Arms.

Bandcamp connects creative artists with those who may appreciate their work, thus bypassing the music industry. But it does far, far more.

It gives the creative artist a presence on the internet. It allows sharing. We can listen to the music on-line. We can share. Click on share, and you can share on twitter, post onto to you and your friends facebook wall, copy the embedded code and you can embed the code on your blog. And you can download the music (often for free), buy albums, real albums not digital downloads, and the digital downloads are available as high quality audio, not mushy, low quality, highly compressed mp3 files. [see mp3 v FLAC]

I expected BandCamp to post on facebook an image of the album cover, nothing more. Why a little play button? I clicked. It changes into a little media player, listen to the entire album as often as you like. This is going to help creative artists and destroy the music industry. Yippeee!

To keep it clean and simple, no volume control. Use volume control on computer. It is also to encourage downloads.

And when the little media player appears to replace the image of the cover, it lets you not only listen, but share with others and download.

The embed code for a blog lets you choose from about half a dozen options how it will be displayed, including track lists if you desire.

I am amazed at the amount of money flowing through Bandcamp direct into the pockets of artists. $13,935,756 to date $1,038,844 in the past 30 days. Albums outsell tracks 5 to 1, in the rest of the music buying world, tracks outsell albums 16 to 1.

BandCamp is a good example of how websites have evolved into something different, probably the main difference between web 1.0 and web 2.0.

Web 1.0 you landed on a website and hopefully accessed or acquired some information. I say hopefully, as too often so badly designed that you give up as you were wasting your time. A good web 1.0 design had sharing, ie it gave you something, but not social interaction. Web 2.0, this blog is an example, has interaction, social dialogue takes place. We see that even more so with twitter and a very good example is Paulo Coelho’s blog.

Few understand, let alone make effective use of web 2.0. It is not broadcast, one to many. Social network: social interaction, network, many to many.

Tweet level gives some measure of the effective use made of twitter (and it is not simply a crude measure of the number of followers. [see Can we rank twitter streams?]

@keithpp 62.2

@paulocoelho 92.6

Paulo Coelho, Neil Young, Neil Gaiman, and many others, all recognise the value of sharing. Neil Young calls piracy the new radio, as that’s how music gets around.

- Piracy is the new airwaves

Those who bleat about sharing, who through flawed thinking think it is bad, should heed the words of Andrew Dubber (see Hear / Like / Buy):

Music is pretty much unique when it comes to media consumption. You don’t buy a movie ticket because you liked the film so much, and while you might buy a book because you enjoyed reading it so much at the library, typically you’ll purchase first, then consume … But music is different — and radio proves that. By far the most reliable way to promote music is to have people hear it. Repeatedly, if possible — and for free. After a while, if you’re lucky, people get to know and love the music. Sooner or later, they’re going to want to own it…whether it’s a pop tune, a heavily political punk album, or an experimental, avant-garde suite — the key is very simple: people have to hear music, then they will grow to like it, and then finally, if you’re lucky, they will engage in an economic relationship in order to consume (not just buy and listen to) that music. That’s the order it has to happen in. It can’t happen in any other order. There’s no point in hoping that people will buy the music, then hear it, then like it. They just won’t. Nobody really wants to buy a piece of music they don’t know — let alone one they haven’t heard. Especially if it’s by someone who lies outside their usual frame of reference. And a 30-second sample is a waste of your time and bandwidth. It’s worse than useless. That’s not enough to get to like your music. Let them hear it, keep it, live with it. And then bring them back as a fan.

But the music industry and Hollywood, very often the same global corporations, do not like sharing, they wish to criminalise sharing. The tried with Sopa, cooked up in back room deals with corrupt politicians on the take and failed miserably. They are trying again with Acta, an international treaty that will criminalise sharing, would disconnect from the net those who share. We killed Sopa and we must kill Acta.

- Say NO to ACTA


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